Additional information
Weight
N/A
Measurements
Ø 70 x H 100 mm / Ø 0,28 x H 3,94 inch
Finishes
CARABOSSE, CLOCHETTE, COLOMBINE, FLORA, MELUSINE, MORGANE, PAQUERETTE CANNELE, PIERROT, PIMPRENELLE, PIMPRENELLE CANNELE
GLASSES
MURANO GLASSES
99,00€
Our Murano blown glassware dance in a interplay of vibrant colors. Like a choreography of tangy candies, they liven up your table with a joyful and colorful elegance.
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. Here, instead, it has been deconstructed and reassembled. By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. Here, instead, it has been deconstructed and reassembled. By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. Here, instead, it has been deconstructed and reassembled. By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. Here, instead, it has been deconstructed and reassembled. By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. Here, instead, it has been deconstructed and reassembled. By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. Here, instead, it has been deconstructed and reassembled. By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. Here, instead, it has been deconstructed and reassembled. By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. Here, instead, it has been deconstructed and reassembled. By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
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GLASSES MURANO GLASSES
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