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99,00€
Our Murano blown water glass dance in a interplay of vibrant colors. Like a choreography of tangy candies, they liven up your table with a joyful and colorful elegance.
Ø 70 x H 100 mm / Ø 0,28 x H 3,94 inch
Carabosse – Murano Glass – White, yellow and brown, Clochette – Murano Glass – Green and gilding, Colombine – Murano Glass – White, green and turquo, Morgane – Murano Glass – White, pink, brown and bl, Pierrot – Murano Glass – Ivory and pearl, Pimprenelle – Murano Glass – Amber and rose, Vivianne – Murano Glass – Cream and brown
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. Here, instead, it has been deconstructed and reassembled. By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. Here, instead, it has been deconstructed and reassembled. By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. Here, instead, it has been deconstructed and reassembled. By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. Here, instead, it has been deconstructed and reassembled. By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. Here, instead, it has been deconstructed and reassembled. By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
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