Additional information
Weight
N/A
Measurements
Ø 70 x H 100 mm / Ø 2.80 x H 3.95 inch
Finishes
Carabosse – Murano Glass – White, yellow and brown, Clochette – Murano Glass – Green and gilding, Columbine – Murano Glass – White, Green and Turquoise, Morgane – Murano Glass – White, pink, brown and bl, Pierrot – Murano Glass – Ivory and pearl, Pimprenelle – Murano Glass – Amber and rose, Vivianne – Murano Glass – Cream and brown
TECHNICAL SPECIFICATIONS
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. / Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. / Here, instead, it has been deconstructed and reassembled. / By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. / Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. / Here, instead, it has been deconstructed and reassembled. / By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. / Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. / Here, instead, it has been deconstructed and reassembled. / By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. / Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. / Here, instead, it has been deconstructed and reassembled. / By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
Together with Stories of Italy, we are pleased to present a new project inspired from the chromatic research and the deconstruction of the technique behind the Murano glass macchia. / Traditionally, the macchia is applied in a single phase and it is subsequently coated with a crystal layer. / Here, instead, it has been deconstructed and reassembled. / By completely removing the crystal, the artworks lose the sparkling effect – a characteristic of the macchia - in favour of an opaque one. The chromatic motifs are created through repeated multiple applications of colourful pigments and flakes: layers on layers, macchie on macchie.
